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So you've got three options in that situation, pull all the slaves feeding the stem down, throw in a mater fader and pull down the stem at high res, or, most commonly, use a VCA attached to the group and pull down all the slaves that way before they feed into the submaster. Auxes are in the 24 bit realm for plugin processing.Ĭonsequently the main purpose of them (which most folk in here are taking as a given) is for pulling down a relative mix of a stem or something thats just getting a bit hot in context with other stuff. One other key difference on HD systems is that the master faders are still inside the 48 bit fixed mixer, so they have greater dyn range and a lower noise floor than an aux track. So its not a good idea to ride master fader gain feeding into a compressor (limiters are different obviously). For future readers, master fader plugin inserts are post fader, whereas all other channel types have insert before the fader. Its interesting that no one has mentioned the main differences between master faders and aux in either thread. Having said that then I'm curious how the more experienced lot of you route your stuff? Do you use more than one Master fader at the end of a session or do you also use them at the top of your stems or even earlier? Personally I don't have many problems with clipping, quite the opposite really due to the equipment I'm using, but I have also received stuff from people who just think that headroom is there to be filled up completely, having an average peak level just below clipping, which I think just sucks when you are summing all the channels together. Alleviating that is of course part of the mix process, but I think you know what I mean :) At this point I have only performed my mixes in LE, but once I get opportunity to do a final mix on a HD system then I'd like to do it right, spending my time "mixing for the story" not trying to figure out why my busses are clipping or some other arbitrary routing error.
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So far I have been using AUX's for my stem submixes which then route into the Master Fader. use Master Faders for my stems: dialogue, sfx, foley etc. However, after reading about the difference in how the signal math is handled in LE and HD I still had a question in regards to whether I should e.g. I believe I have that concept pretty well down by now, after having studied the theory and doing various mixes. I have been doing some research about Gain staging and how being much more aware of it early on can help you make a clearer mix.